The Innocents
Director Anne Fontaine’s post-WWII film is pockmarked by clasped hands, bowed heads, and worn benches. Philosophical quandaries and existential pyres: the tinder for all spiritual infernos.
Director Anne Fontaine’s post-WWII film is pockmarked by clasped hands, bowed heads, and worn benches. Philosophical quandaries and existential pyres: the tinder for all spiritual infernos.
